Kuravanji is a form of dance-drama native to
Tamil Nadu, performed mainly in temples. A blend of classical and folk art forms, it is said to have had its origins in
Andhra Pradesh. Kura refers to the Kuruvas or Chenchus - nomadic hunters of Andhra Pradesh. 'Anji' is derived from adavus, a term for their traditional dances.
The main theme in a Kuravanji is the love and affection of the female protagonist towards the deity of the temple or the local ruler. She pleads to the god of love to fulfill her wish. During the performance, she praises the local deity and glorifies the land. She also requests her maids to bring her lover to her. The scenes are enacted in a dancing form. Apart from the actors, there are additional dancers and musicians.
There are numerous variations in this art form. There are compositions with high poetic quality like the ‘Thirukkutrala Kuravanji’. Some varieties like ‘Viralimalai Kuravanji’ are famous for their music. There is a balancing of music and literature in the ‘Azhagar’ and ‘Thirumalai Andavar ‘varieties.
A common theme in most of the ‘Kuravanji’ dramas, like in the ‘Sendil Kuravanji’, is a gypsy woman who appears on the scene and describes the prosperity of the land through songs. She reads the palm of the heroine and predicts the fulfillment of her desires.
The form is also referred to as kuram and kuluva natakam.
